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Rhode Island Roads
The online magazine of travel, life, dining, and entertainment for people who love Rhode Island |
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Blending the Wilderness, art, and poetry into a single experience in Smithfield, RI
Take a hike in the Smithfield’s Fort Refuge, along the Pond Overlook hiking trail, about a half-mile in, you’ll find a decorative box on a post by the pond. It looks a little like a mailbox in the middle of nowhere. On the box is a poem. Inside the box is a journal with notes made by the hikers that have discovered this blend of art, poetry, and nature.
It's is a participatory project, inviting the public to take a hike into the wild and discover the poetry in nature. It features birdhouse sized, decorated boxes, called ” Poetry boxes”, created by local artists, poets and conservationists. Inscribed inside each box is a different poem about the natural world as well as a journal for the public to add their own observations and musings. The 8 sites for the boxes are on trails protected by the Smithfield Conservation commission, the two Audubon refuges in town, and the pond at Bryant campus. The boxes stayed up through the summer and will remain into the first week of October 2004, each monitored by a designated poetry warden -- a volunteer who maintains the boxes and monitors the activity in the journals.
Ana says that the project evolved last year while she was artist-in-residence for the Wood Pawcatuck Watershed organization, an environmental group that protects the rivers and watershed lands in Southern Rhode Island where she lives. "I was honored to be artist-in-residence in my own backyard; responding to a landscape which had profoundly influenced the way I work and think but felt that the title was a bit presumptuous, I was merely in residence with the grand artist and creative force -- Nature."
Wild places and their denizens have always played a powerful role in inspiring the imagination and the arts of any culture. With the dangerous decline of open spaces and natural habitats for wildlife not only is the health and well being of all species threatened but the source of our creativity itself. Beginning with cave paintings, the earliest records of art making, artists have always addressed our fragile and ever changing relationship with nature.
By March when the ice began to melt on the river, her ideas had flowed together and the 'poetry box' presented itself. An artful box- with a small door instead of a birdhole. Inside would be one of many poems by published poets about the natural world but also a journal for passers-by to add their thoughts.
She designed the project with plenty of room for participation from different populations. The poetry boxes could be created by community members and schoolchildren, and once they were installed they needed stewards to maintain and watch over them -- a designated group of volunteer “poetry wardens”. She also organized a residency advisory committee of four diverse professionals and community people to provide me with a sounding board, suggestions and support.
She found the response to the the first Poetry of the Wild wonderful and full of surprises. "We were all amazed by the number of poems and thoughts written into the journals and the fact that the boxes had proved to be such an incentive for the public to get out and explore their natural surroundings."
She had designed the project so that it could fit and be created by communities almost anywhere. Smithfield was her first opportunity to try it in a different setting.
One of the many things that Ana hopes this project does is to remind people what an inspiration nature has been for our species and with the decline of wild places comes the decline of our creative powers -- our own bird song. "I think it is especially relevant that some of the boxes in Smithfield are on Audubon refuges, Audubon was after all an extraordinary artist and naturalist who by his travels, cataloging and paintings brought the wonder of birds to the public consciousness."
The poem in the Fort Refuge box is by Robert Penn Warren, from the book, Audubon, A Vision. The artist for the box is Ana Flores, the project director.
This project, like cave paintings, is situated in the heart of the natural world and the poems selected for the boxes include both odes to the wonders of the natural world and laments regarding our destruction of nature. The poems of two Rhode Island poets are featured, Larry Sasso, editor of the Observer newspapers and Tom Chandler, Poet Laureate of Rhode Island and Associate professor of Creative Writing at Bryant College, along with poets Gerald Manly Hopkins, Robert Penn Warren, and Henry Wadsworth Longfellow. The creators of the boxes are Ana Flores, sculptor and project director, Eugenia Marks, Director for Policy & Publications, Audubon Society of RI, Sandy Mayer, Smithfield Conservation Commission, Jay Coogan, sculptor, Roger Mayer,visual artist, OlivaMcCullogh, visual artist, Lydia Breckon-Smith and Duncan Smith, lovers of poetry.
So take a hike in Smithfield and look for the boxes, be inspired by art, poetry, and nature, and leave your own notes in the journals.
A Few Journal Entries From The Project
Stillwater Walkway:
Poetry of the Wild Box Locations
"Narrative from an early hand-drawn map of Smithfield"
“If this weren't a town"
Connors Farm Conservation Area : Take Swan Road from Rt. 116 at Pleasant View Farm until it abuts Mann School Road. Turn right onto Mann School Road and immediately left into Connors Farm subdivision. The conservation area
is clearly marked on the left between houses #20 and #24. box is by brook as you look up at ledge.
"Continuity of Springtime"
“Brooks”
"Pied Beauty"
“The Birds of Killingworth"
“Love and Knowledge”
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