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Coming Home
(For Andy)
What is it about touching
the rail’s peeling paint,
the climb up
the back porch steps
to the screen
that separates us?
I go back and forth in between

the mud room I never cleaned.
A muffin tin hangs
on a sturdy peg
pounded in
by one before

us,
the dog greeting
me at the door,
the kitchen spilling warm light,
the stout old Revere
whose oven doesn’t close tight.
(Those burners stayed lit
when the trees were bent

with ice.)
A passage through
to pause at the foot of the stairs
to touch the column there.
I love its square, Ionic grace
we left
unfinished;

just two steps up
a landing,
a window that doesn’t open,
I find my missing Prodigal,
      the rail ripped off its hooks
      and then repaired,

the climb to the light
that doesn’t work,
my deepest loss,
and a small turn
toward light
where bathing waits,
lavender and ginger
in the air

a shriek,
my captain
of the football team
on a video losing
streak.

It’s hallowed here.

I try to think of a joke
in that distance of just a few feet
between your welcome door and mine

a quickened step
a laugh
an embrace

My voice cries out for more
like you, my accidental grace.

--- Lillian Baker Kennedy

 

Lillian Baker Kennedy, the author of Tomorrow After Night (Bay River Press 2003) and Notions (Pudding House Publications 2004), also co-published, co-edited A Sense of Place, Collected Maine Poems (Bay River Press 2002). Kennedy’s poetry has been exhibited with the sculpture of Kerstin Engman (Earthly Beatitudes, USM L/A College, November, 2003), included in Off the Record, an anthology of poetry by lawyers (Legal Studies Forum, Volume 28, 2004 No. 1 & 2, James R. Elkins, Editor) and published nationally in various journals including Cider Press Review, Words & Images, The Café Review. Kennedy practices law and lives in an old cape bordered by wild roses in Auburn, Maine.


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